How to Effectively Write Lyrics to a Rhythm


in Composition, Methods

Being music-minded when you’re writing lyrics can prevent your lyrics from sounding wordy. Wordy lyrics can negatively affect your melody. For that reason, I want to address how you can write lyrics that can easily be sung in a melody.

The Spoken Rhythm

The rhythm of a line happens as a result of a pattern of stressed and unstressed syllables within a phrase. I’ll indicate the unstressed syllables with “ba” and the stressed syllables with “BUM.” For example, the phrase “Lonely and waiting” has this rhythm: BUM ba ba BUM ba. Hear that? The syllables “Lone-“ and “Wait-“ are stressed in their respective words, while “-ly,” and “-ing” are unstressed in those same words. The word “and” is also unstressed. If you say the phrase out loud, you’ll hear it. The accented syllables are longer, louder and have a higher pitch. That’s what makes them stressed. The combination of stressed and unstressed syllables in the phrase “Lonely and waiting” (or in any phrase) create its natural sonic shape.

If you need to figure out the stresses in a word with more than one syllable, you can usually hear them by sounding them out. For a word with two or more syllables, like “lonely” it’s usually best to listen for the accented syllable, and assume the remainder of the syllables are unaccented.

However, if you need help with this, you can always check a dictionary. It defines which syllables are stressed and which aren’t when you look up a word with more than one syllable. For example, when I look up the word “loving,” I’m presented with this pronunciation: luhv-ing. The stressed syllable is given in bold.

Single syllable words aren’t as easy. Some of them are stressed and some are not. Again, it’s best to listen to them within a phrase to determine which are accented and which aren’t, but if you get stuck you can reference this rule of thumb: Assume single syllable nouns, verbs, adjectives and adverbs are stressed. In other words, words that carry meaning are accented. Other words are not. You won’t find the answer in a dictionary for single syllable words

Writing in Rhythms

As you know, music has a rhythm to it. A lot of times the words and phrases we speak aren’t very rhythmic. But since you know that your music will have a rhythm, you can write your lyrics to a rhythm, even if you don’t have any music yet. If you take this approach, you’ll know that what you’re writing will more easily fit into a song.

Let’s look at an example. Let’s say I write two lines of lyric that say this:

Looking out into the sky

The night is so beautiful

If I write those lines out into their rhythmic patterns, I’d end up with this:

LOOK-ing OUT IN-to the SKY

This NIGHT is so BEAU-ti-ful

I highlighting the stressed syllables in bold. We could also take the words out and isolate the patterns:

BUM ba BUM BUM ba ba BUM

ba BUM ba ba BUM ba ba

The first line doesn’t really have a consistent rhythm. It has a strong stress, then a weak stress, then two of each before ending on a strong stress. The second line is better and more organized rhythmically (by having two weak stresses between each strong stress), but it doesn’t match the first line. That’s not a requirement, but it tends to make things easier, depending on how your melody will go.

So things might get a little chaotic when we start to put these lines to music, because their rhythms are random. What if instead we started with a rhythmic pattern, and then matched our words to that pattern. Writing out your stresses first lends itself well to writing catchy melodic motifs.

The rhythm of the second line was pretty good, so let’s stick with that and use it twice. Let’s say we want our lyrics and melody to have this rhythm:

ba BUM ba ba BUM ba ba

ba BUM ba ba BUM ba ba

You can see that looks better already. Now we just have to find words that fit that pattern. We know the second line from our previous example worked, so we’ll keep that. Since we want to stay with the same lyrical idea, we can try a first line that’s something like this:

The sky is so magical

Which rhythmically works out to be:

The SKY is so MAG-i-cal, or

 ba BUM ba ba BUM ba ba

Now we have two lines with a good, consistent rhythm that match each other. So we shouldn’t have much of a problem fitting these words to music:

The sky is so magical

The night is so beautiful,     or

 ba BUM ba ba BUM ba ba

ba BUM ba ba BUM ba ba

You can hear the consistency in the rhythm of these lyrics, just by speaking them aloud. They have a good rhythm that’s the same from line to line, which will make them pretty easy to put them to a melody.

To learn a lot more songwriting techniques and tips, you can download my free EBook here: Songwriting Free Offer

Also you can read here the workshop's review of How to Write Songs That Sell

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